Evoking the metropolitan unease and vibrancy of São Paulo, director Marcelo Caetano's gripping drama focuses on those who live on the fringes of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) faces a critical turning point; left behind by his parents, the wide-eyed young man finds solace in the arms of others.
On an night on the town with his boisterous group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler significantly older than his age. Bathed in the pulsating light of a adult movie theater, their initial encounter is sensuous and erotic, with an edge of danger. Ronaldo swiftly initiates Wellington to the underground scene of prostitution and narcotics trafficking.
The director portrays Wellington’s new life of crime with gentle sympathy as opposed to as a melodramatic morality play. Now adopting the moniker Baby, he approaches his transactional encounters with brash fearlessness and poignant gullibility. To his customers, Wellington provides not just his youth and his body, but also fleeting acts of kindness.
In the hectic energy of São Paulo, filled with bustling alleyways and brightly painted facades, there’s a persistent isolation, as adrift individuals grasp at one another for temporary happiness.
"The streets are filled with danger, yet they are also the space where they can discover chosen kin, too."
Ronaldo is both a lover and a guardian-like mentor to Wellington, but their relationship is derailed by jealousy and financial instability. Intimidation from dubious individuals in the underworld seem minor next to the dread of government monitoring and incarceration, represented by the constant sight of police officers making their rounds.
Baby is most powerful as a keen observation of the lost people who have slipped through the gaps the system. The film ultimately serves as a poignant look into survival, found community, and the search for self within a harsh urban landscape.
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