The work of Portishead co-founder Geoff Barrow, this scabrous though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Poacher denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
Game releases in British and Irish theaters from November 17.
